Contents

Nov 12, 2020

Full Text

Views:

Cover

Jun 30, 2020

Full Text

Views:

CAQ Vol.7,No.2 5.The Implementation Strategies of Art Education in the Constr...

Jun 30, 2020

Liu Zhongxing, Zhang Hanmin*

Abstract: The current construction of campus culture calls for the full play of art education so as to promote the integration between the campus culture and the aesthetic education while constantly improving the system of art education. The ultimate objective of art education is to improve the aesthetic judgment of college students and cultivate their aesthetic values, scientific attitude, ide...

Full Text

Views:

CAQ Vol.7,No.2 4.Instance of Post-Human Establishment of Media Art Creative S...

Jun 30, 2020

Zheng Da, Hu Zhuojun

Abstract:Basing its work on the interdisciplinary research method is the principle of media art innovation. This paper is to take five works from the author’s solo exhibitions as example and elaborate on the creative system of contemporary media art. It then analyzes the transformation between the material and the immaterial from the perspective of physics. Next, it further expounds the worki...

Full Text

Views:

CAQ Vol.7,No.2 3. On the Painting of Jiucheng Palace Collected in France A St...

Jun 30, 2020

Zhou Jianpeng

Abstract:Thesubject of this paper, thePainting of Jiucheng Palacethat is believed to be painted by Li Zhaodao,was anitem displayed during the “Exhibition of Chinese Paintings at theCernuschi Museum·1912.”Based on the research findings of some French Sinologists such asEmmanuel- èdouard Chavannes and Beitrutch upon this picture,this paper is about to explore the French Sinology’s focus on Chi...

Full Text

Views:

Vol.7,No.2 2.Textual Research on the Image of Emperor Yongzheng in the Wester...

Jun 30, 2020

Deng Xueping

Abstract:The screen decorated withEmperor Yongzheng’s Bust in Western-style Dressand the pictureEmperor Yongzheng’s Portrait at Leisure of Subduing a Tiger in Western-style Dress, both as a breakthrough of the traditional theme of Chinese literati’s dress, reflect the cultural communication between China and the West during the prosperous period of the Qing Dynasty. In these two art works, t...

Full Text

Views:

vol.7,no.2 1. construction and elaboration- formation of chinese classical ca...

Jun 30, 2020

Zhu Tianshu

Abstract: Chinese classical calligraphy theory set afoot and budded during the Han, Wei and Six Dynasties (202 BC-AD 589). Then in the Tang Dynasty, it was greatly developed into the in-depth and detailed analysis on writing style and spiritual connotation of the calligraphy from the former descriptive studies based on the theorist’s impressions, constituting an overall framework that involves...

Full Text

Views: