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CAQ Vol.9,No.1,2022 Cover and Contents

Aug 12, 2022

CAQ Vol.9,No.1,2022 Cover and Contents

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CAQ Vol.8,No.2,2021 Cover and Contents

Aug 11, 2022

CAQ Vol.8,No.2,2021 Cover and Contents

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CAQ Vol.8,No.1,2021 Cover and Contents

Aug 11, 2022

CAQ Vol.8,No.1,2021 Cover and Contents

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CAQ Vol.9,No.1,2022 The Spread and Study of African American Literature in Ch...

Aug 7, 2022

Liu Niyuan The Spread

Abstract:The spread of African American literature in China began in the late Qing Dynasty.After the founding of the People’s Republic of China, the translation of African Americanliterature in China continued to advance, with more attention paid on artistic values. Researchon African American literature in Chinese academic circles focuses on racial issues, ethnicidentity, feminist views, dias...

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CAQ Vol.9,No.1,2022 Communication between the Inside and the Outside: Reflect...

Aug 7, 2022

Xie Yifeng

Abstract:At present, the relatively comprehensive research of Taoist art history in Westernacademic circles are mostly limited to a single material carrier such as the sculpture tablet orthe Taoist frescoe, and short of comprehensive studies across material carrier media. This iswhy Shih-shan Susan Huang’s book, Picturing the True Form: Taoist Visual Culture inTraditional China, can be accepte...

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CAQ Vol.9,No.1,2022 Spread of the“Geographical Image”: Dong Qichang’s Writ...

Aug 7, 2022

Zhang Li Wang Zun

Abstract: As one of the well-known literary leaders in Songjiang area, Dong Qichang wasamong the prominent figures who had ever promoted the local culture of Songjiang. Whileappreciating calligraphy and painting works, Dong Qichang wrote a large number ofcalligraphy and painting annotations to enhance the status of the literati and celebrities inSongjiang area. At the same time, he took an acti...

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CAQ Vol.9,No.1,2022 Restoring the Classics Vs Seeking the New Techniques: Two...

Aug 7, 2022

Zhu Tianshu

Abstract: Calligraphy theories of the Yuan Dynasty can be roughly divided into two categories:one is the restoring-the-classic theory represented by Zhao Mengfu, Hao Jing, Han Xing, andYuan Li, and the other is seeking-the-new-technique theory represented by Pu Guang, ZhengWen, and Sheng Ximing. These theories, whether it is to revive the calligraphy in the Jin andTang Dynasties or to pursue ne...

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CAQ Vol.8,No.2,2021 Tracing the Origins of the “Poetic Quality” of Landscap...

Aug 7, 2022

Zhang Nan

Abstract: Landscape paintings of Southern Song Dynasty are represented by the courtpainting style, whose leading figures are the “Four Masters of Southern Song Dynasty.”Court landscape paintings were marked by a shift away from the panoramic compositionand detailed drawing characteristic of landscape paintings of Northern Song Dynastytowards simplistic partial views and rugged lines employed ...

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CAQ Vol.8,No.2,2021 On the Presentation of the Landscape in Geomantic Omen

Aug 7, 2022

Liu Huan, Yang Han, Cai Min

Abstract: In ancient China, geomantic omen exerted great influence upon people’s life.The presentation of the landscape in paintings then was the intuitive embodiment of thegeomantic thoughts. Demonstrating the landscape in geomantic omen successively fromWei and Jin Dynasties on, this paper is going to show how the presentation of the landscapeevolved as time went by, and it will focus on the...

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CAQ Vol.8,No.2,2021 The Calligraphy and Painting Art of Dong Qichang and Its ...

Aug 7, 2022

Liu Zhongxing, Yang Feng

Abstract: Dong Qichang did know how to make full use of his calligraphy and fine artworks to make friends and expand contacts. Through a series of calligraphy and paintingexchange activities, he achieved successful interactions with his clan relatives, maternalrelatives, and the in-laws. Thus, he not only met the request for his calligraphy and paintingworks from all kinds of relations, but als...

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CAQ Vol.8,No.2,2021 The History and Chinese Elements of Japanese Kutani Wares

Aug 7, 2022

Ma Bingjie, He Yu

Abstract:The Kutani ware is a kind of on-graze painting ceramic originated from IshikawaAkira, Japan. Because of its predominant quality and unique feature, the Kutani ware mightwell represent the highest achievement of Japanese ceramic art, for which it has gainedworldwide fame since the Meiji era. Apparently, the Japanese Kutani ware was originatedfrom and developed upon the Chinese ceramic c...

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CAQ Vol.8,No.2,2021 The Lack of International Communication of Chinese Art an...

Aug 7, 2022

Zhang Qiang, He Lei

Abstract:The Hollywood live-action version ofMulanis a “second attempt” to “introduce” the Chinese elements after the much popular animated version, but again it is almost unanimously criticized by critics. There is no doubt about its efforts to “spread” Chinese culture and his positive attitude towards advocating Chinese art, yet its misreading of Chinese culture and the implantation of ...

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CAQ Vol.8,No.1,2021 Chinese Interpretations of Western Piano Works:Taking Gol...

Aug 7, 2022

He Xinchun, Zou Jie

Abstract: The Chinese-style interpretation of Goldberg Variations by Zhu Xiaomei has become an epoch-making phenomenon in the history of its performance, as the music work itself, as a text, has broken away from the composer’s constraints. The text and the performer incorporate and accept each other, transforming and generating together. As a result, the music work realizes the continuatio...

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CAQ Vol.8,No.1,2021 Research on the Reform Path of China’s Music Cultural Cr...

Aug 7, 2022

Tu Bo

Abstract: Since the reform and opening up, China’s economic development has made great progress, the focus of development has gradually shifted from high-speed to high-quality. The creative industry of music culture has high economic value, and the perfect industrial chain can provide sufficient impetus for economic growth and quality improvement. In addition, the creative industry of musi...

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CAQ Vol.8,No.1,2021 The Rise of “Chinese Bel Canto” and Its Multidimensiona...

Aug 1, 2022

Zhang Yakun

Abstract: Over the past hundred years, Bel Canto in China as imported from Europe has gained clear Chinese characteristics with the influence of Chinese music and thus developed into a new style — Chinese Bel Canto. This new style has come into being through the advocacy and promotion by several generations of musicians, and it has now developed into one with varied connotations at differe...

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CAQ Vol.8,No.1,2021 Ming Huang Xing Shu Tu: Its Authenticity and Dating Judge...

Aug 1, 2022

Pu Keyu, Chen Longyu

Abstract:Scholars of the past dynasties have done a lot of documentary research on Ming Huang Xing Shu Tu (《明皇幸蜀图》, the Painting of Emperor Xuanzong’s Journey to Sichuan Province, hereafter MHXST), a painting of the Tang Dynasty that is now collected in the Taipei Palace Museum. However, few ontological analysis has ever been given to this picture. As a result, there are always sha...

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CAQ Vol.8,No.1,2021 New Trends of Jiangnan Culture and Art in the Late Ming a...

Aug 1, 2022

Wang Qianrong, Cai Min

Abstract: Of regions constituting the territory of the Chinese Empire, the Jiangnan Area has always enjoyed a relative independence and boasted its unique cultural history. Regardless of foreign invasions, the Jiangnan Area has written its history according to its own characteristics and logic. Viewed from the historical perspective, social changes burgeoning in the Jiangnan Area could dat...

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CAQ Vol.7,No.1 2. The Ceiling with Laternen–decke in Dunhuang Grottoes and t...

Nov 12, 2020

Qi Xiaoqing

Abstract:The Pingqi caisson ceiling was very common in grottoes in theNorthern Dynasties. The center of the caisson on the inverted funnel-shapedroof which appeared in the Western Wei Dynasty is still patterned with squareconcentric and inner circle. The bracket caissons in the grottoes of laterdynasties are basically all the transformation of the ceiling in the Western WeiDynasty and it lasted...

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Contents

Nov 12, 2020

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Cover

Jun 30, 2020

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