Contents

Orthodoxy and Origin: Dual Core Concepts for the Spirit of Chinese Calligraphy(1-27)

Yan Gongda

Appreciation and Description: The Refinement of Classical Chinese Calligraphy Theory in the Ming Dynasty(28-49) 

Zhu Tianshu

Review and Prospect of Studies upon Drama of the Ming Dynasty(50-63)

ZhangJing SongYuqi*

Calling for the Return of Humanity:Successful Exploration on the Integration of Musicology into Performance--A Case Study of Musicology and Performance by Paul Henry Lang(64-82)

Hu Jian

Chinese Arts Quarterly Format and Documentation Style(83-90)