Contents

Guan Liang’s Identity “Trap” and Formal Language: A Cognitive Mechanism behind “Tradition” and “Modernity” in the 20th Century

Hang Chunxiao, Zhang Minggao*

A Study of the Caballero Images in The Return of Lady Cai Wenji

Yang Xianzong, Ke Teng, Yu Yi*

A Comparative Study of the Works on Decoration Art by Chinese and Japanese Scholars during the Republic of China: with the Works by Wang Ziyun and Itō Chūta as Examples

Liu Ting, Cai Min*

Aesthetic Transformation in the Transcultural Reception of Chinese Figure Painting Collection by the Cernuschi Museum

Zhou Jianpeng

Report of “The Social History of Chinese Arts Week” at Central China Normal University

Chinese Arts Quarterly Format and Documentation Style