Contents

Acceptance and Evaluation of Chinese-Style Paintings：in Contemporary Japanese Painting Courses：with the Case Study of the Painting Curriculum at Tsukuba University（1-21）

Ohta Kei

Inheritance and Evolution of Chinese Painting in Japan：From Ink Painting to Modern Ink and Wask Painting（22-31）

Liu Suzhen and Huang Junjia

Protecting the Soul and Constructing the Cosmos for the Deceased：On the Dual Functions of Tomb Guardians in Chu Tombs（32-45）

Li Hui

Birth of the early Chinese Classical Calligraphy Theory（46-69）

Zhu Tianshu

The“Dragon Vein”in Painting：Visual Representation of the“Legitimacy”of the Qing Dynasty：A study of Wang Yuanqi（70-88）

Cai Min and Wang Qianrong

Consumption of Painting and Calligraphy and Counterfeiting Phenomenon in Late Ming Dynasty（89-100）

Liu Zhongxing and Yang Feng

Chinese Arts Quarterly Format and Documentation Style（101-103）